Artist Statement

My practice moves between painting and sculpture, exploring the tension between structure and intuition, control and surrender.

Across layered surfaces and interwoven forms, I return to grids, circles, knots, bands, and fragments—systems that suggest order while remaining vulnerable to disruption. Figures and symbols emerge gradually, often only in part, held between recognition and obscurity. Surface becomes a record of revision, where marks accumulate, obscure, and reassert themselves, preserving evidence of what has been built, withheld, or transformed.

Across canvas and sculptural form, materials hold contradiction: precision and softness, restraint and disruption, clarity and obscurity. The work sits in that restless space between resolution and disruption.