• Control+Esc
    • Then Now & Next?
    • Conversations with History
    • Barococo
    • Lockdown Series
    • Fakes And Fripperies
    • Installation Views
    • Paper Constructions 2025
    • Paper Constructions 2021
    • Charcoal Drawings
    • Small Sculptures
    • Large Sculpture/Installation
    • Artist Statement
    • C.V.
    • Bio
    • Media
  • Contact
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Gabrielle Jones

  • Paintings
    • Control+Esc
    • Then Now & Next?
    • Conversations with History
    • Barococo
    • Lockdown Series
    • Fakes And Fripperies
    • Installation Views
  • Drawings
    • Paper Constructions 2025
    • Paper Constructions 2021
    • Charcoal Drawings
  • Sculptures
    • Small Sculptures
    • Large Sculpture/Installation
  • About
    • Artist Statement
    • C.V.
    • Bio
    • Media
  • Contact
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Control+Escape

This body of work draws on the drama, movement, and excess of the Baroque to examine the rapid and disorienting rise of Artificial Intelligence in our undeniably momentous age. The dot serves as a central symbol, carrying multiple meanings: zeros in computer code, Morse signals, sight-lines through a spyglass, bullets, dominoes, “sold out” gallery stickers, rashes, inkjet reproduction, and CGI motion-capture trace points. Checkerboards reference history itself, now destabilised and overturned.

The dots also recall children’s puzzles—playful, familiar, and seemingly innocent—yet ultimately predetermined, leading the participant along an unseen, imposed path. They echo the breadcrumb trail in Hansel and Gretel, where guidance conceals danger.

Formally, the work juxtaposes gestural physicality with patterned abstraction, setting the expressive human hand against algorithms, systems, and mechanical reproduction. It questions where creativity survives amid accelerating technological control. Subject matter is deliberately varied, evidencing that the artist’s touch remains recognisable.

Featured
(Re)Mastered
(Re)Mastered

180×150cm Acrylic on Poly/Cotton

Superficial Concerns
Superficial Concerns

122 × 122cm Acrylic on Poly/Cotton

AI Seraphim
AI Seraphim

102 × 76cm Acrylic on Poly/Cotton

Slings and Arrows
Slings and Arrows

148×200cm Acrylic on Poly/Cotton

Like a Version
Like a Version

152 x 167cm Acrylic on Poly /Cotton

B.D. Politics
B.D. Politics

180×120cm Acrylic on Poly/Cotton

Control+Escape
Control+Escape

138×110cm Acrylic on Poly/Cotton

Mandala for the Future
Mandala for the Future

90×110cm, Acrylic on Poly/Cotton

The Visit (Probe)
The Visit (Probe)

110×150cm Acrylic on Poly/Cotton (or Vice Versa)

Encounter
Encounter

122 ×92cm, Acrylic on Canvas

Narcissus
Narcissus

182 × 122cm Acrylic on Poly/Cotton

Mandala for the Momentous Age
Mandala for the Momentous Age

102×76cm, Acrylic on Canvas
Finalist Qld Regional Art Awards

I Am Not a Robot
I Am Not a Robot

93 x 156cm Acrylic on Poly/Cotton

Follow The Dots
Follow The Dots

138 × 110cm Acrylic on Poly/Cotton

Glitch (Diego)
Glitch (Diego)

167 × 200cm Acrylic on Poly/Cotton

Allegory for Power
Allegory for Power

122 × 183cm Acrylic on Poly Cotton

All content © 2024 Gabrielle Jones